Portal: pintura
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O portal de pintura
A Mona Lisa (1503-1517) de Leonardo da Vinci é uma das pinturas mais reconhecíveis do mundo.
A pintura é a prática de aplicar tinta, pigmento, cor ou outro meio a uma superfície sólida (chamada de "matriz" ou "suporte"). O meio é comumente aplicado à base com um pincel, mas outros implementos, como facas, esponjas e aerógrafos, podem ser usados.
Na arte, o termo pintura descreve o ato e o resultado da ação (o trabalho final é chamado de "uma pintura"). O suporte para pinturas inclui superfícies como paredes, papel, lona, madeira, vidro, laca, cerâmica, folha, cobre e concreto e a pintura podem incorporar vários outros materiais, incluindo areia, argila, papel, gesso, folha de ouro e até objetos inteiros.
A pintura é uma forma importante nas artes visuais, trazendo elementos como desenho, composição, gesto (como na pintura gestual), narração (como na arte narrativa) e abstração (como na arte abstrata). As pinturas podem ser naturalistas e representacionais (como na natureza morta e na pintura de paisagem), fotográfica, abstrata, narrativa, simbolística (como na arte simbolista), emotiva (como no expressionismo) ou na natureza política (como no artivismo).
Uma parte da história da pintura na arte oriental e ocidental é dominada pela arte religiosa. Exemplos desse tipo de pintura variam de obras de arte que representam figuras mitológicas sobre cerâmica, cenas bíblicas no teto da capela sistina, a cenas da vida de Buda (ou outras imagens de origem religiosa oriental). (Artigo completo ...)
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Artigos gerais selecionados
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O sólido volume é o volume de tinta depois de secar. Isso é diferente do peso sólido. A tinta pode conter solvente, resina, pigmentos e aditivos. Muitas tintas não contêm solvente. Depois de aplicar a tinta, a porção sólida será deixada no substrato. O sólido volume é o termo que indica a proporção sólida da tinta em volume. Por exemplo, se a tinta for aplicada em um filme úmido com uma espessura de 100 μm e o sólido volume de tinta é de 50%, a espessura do filme seco (DFT) será de 50 μm, pois 50% da tinta úmida evaporou. Suponha que o sólido volume seja 100%e a espessura do filme úmida também seja de 100 μm. Então, após a secagem completa da tinta, a DFT será de 100 μm porque nenhum solvente será evaporado. Esse é um conceito importante ao usar a tinta industrialmente para calcular o custo da pintura. Pode -se dizer que é o verdadeiro volume de tinta. (Artigo completo ...)
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Live painting is a form of visual performance art in which artists complete a visual art piece in a public performance, often at a bar, music concert, wedding reception, or public event, accompanied by a DJ or live music. The artwork which is created live may be planned or improvisational. This live art form is often contrasted with more studied fine art compositions from the same artists, which are generally executed in an artist studio or other private space.Artists in a number of genres have performed live painting, including famously LeRoy Neiman creating a painting during the 1976 Summer Olympics. In the 1990s and 2000s, live painting became a hallmark of street art and graffiti artists. (Full article...)
Pintura ao vivo de Beo Beyond no Shôko Club em Barcelona. Ele pintou com cores fluorescentes que brilham sob luz negra.
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Letras y figuras (Spanish, "letters and figures") is a genre of painting pioneered by José Honorato Lozano during the Spanish colonial period in the Philippines. The art form is distinguished by the depiction of letters of the alphabet using a genre of painting that contoured shapes of human figures, animals, plants, and other objects called Tipos del País popularized by Damián Domingo. The letters depicted spell out a phrase or a name, usually that of the patron who commissioned the work. The paintings were done with watercolor on Manila paper. The earliest example of this art form dates from 1845; the latest existing specimens were completed during the latter portion of the American period in the 1930s during the administration of the Commonwealth of the Philippines.In 1995, an album of José Honorato Lozano's paintings were auctioned at Christie’s at the starting bid of £300,000. (Full article...)
Balvino Mauricio, José Honorato Lozano, 1864
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A Paint Dancing é uma mania de arte e dança americana que envolve pintura e dança. Dançarinos de tinta, usando tinta, pincéis e papel, participam de eventos organizados vestidos com roupas prontas para pintar e dançar. O conceito de combinar movimento e pintura se originou durante a parte posterior do período de arte moderna americana e européia; No entanto, Evangeline Welch, de Shreveport, a Louisiana foi creditada por ser a "ideia" da dança de tinta nos Estados Unidos da América. Esse afastamento dos estilos de pintura tradicional era frequentemente chamado de pintura de ação. Ao longo dos anos, várias variações da forma de arte evoluíram, incluindo uma adaptação introduzida pelos hippies durante o verão do amor, que integraram a arte da pintura corporal com dança. Uma das introduções mais recentes da dança de tinta para a cultura americana está sendo popularizada por um movimento de base criado em 2006 pelo artista e ativista de Seattle, Matt Jones. As frases "Paint Dancing" e "Paint Dancer" e outras variações foram originalmente cunhadas em 1996 por Gloria M. Buono, autora, ilustrador e editora da Pintura Ballerina. (Artigo completo ...)
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A idéia de fundar uma teoria da pintura após o modelo da teoria musical foi sugerida por Goethe em 1807 e ganhou muita consideração entre os artistas de vanguarda da década de 1920, o período de cultura de Weimar, como Paul Klee. (Artigo completo ...)
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A figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude. Figure painting may also refer to the activity of creating such a work. The human figure has been one of the constant subjects of art since the first stone age cave paintings, and has been reinterpreted in various styles throughout history.Unlike figure drawings which are usually nudes, figure paintings are often clothed depictions which may be either historically accurate or symbolic. Figure painting is not synonymous with figurative art, which may depict real objects of any kind (including humans and animals). (Full article...)
A maçã dourada de discórdia no casamento de Pelé e Thetis, Jacob Jordaens, 1633, 181 cm × 288 cm (71 em × 113 pol), óleo sobre tela
Image 7 Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority of Europe. Oil paint was used by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera and fresco, respectively, remained the usual choice. (Full article...)
Mona Lisa foi criada por Leonardo da Vinci usando tintas a óleo durante o período de arte da Renascença no século XV.
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En plein air (pronounced [ɑ̃ plɛ.n‿ɛʁ]; French for "outdoors"), or plein air painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819) first expounded in a treatise entitled Reflections and Advice to a Student on Painting, Particularly on Landscape (1800) where he developed the concept of landscape portraiture by which the artist paints directly onto canvas in situ within the landscape. (Full article...)
Plein Air Painter na Côte d'Argent em Hourtin, França
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In painting, staffage (French pronunciation: [stafaʒ]) are the human and animal figures depicted in a scene, especially a landscape, that are not the primary subject matter of the work. Typically they are small, and there to add an indication of scale and add interest.Before the adoption of the word into the visual arts in the late eighteenth and early nineteenth centuries, Staffage in German could mean "accessories" or "decoration". The word can be used in two senses: as a general term for any figures in a work, even when they are, at least ostensibly, the main subject, and as a descriptive term for figures to whom no specific identity or story is attached, included merely for compositional or decorative reasons. In the latter sense, staffage are accessories to the scene, yet add life to the work; they provide depth to the painting and reinforce the main subject, as well as giving a clear scale to the rest of the composition. (Full article...)
Vista de Tivoli ao pôr do sol, 1644, com vacas e vaqueiros como funcionários, de Claude Lorrain.
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Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time.Abstract art, non-figurative art, non-objective art, and non-representational art, are closely related terms. They are similar, but perhaps not of identical meaning. (Full article...)
Robert Delaunay, 1912–13, Le Premier Disque, 134 cm (52,7 pol.), Coleção particular
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A pentimento (plural pentimenti), in painting, is "the presence or emergence of earlier images, forms, or strokes that have been changed and painted over". The word is Italian for 'repentance', from the verb pentirsi, meaning 'to repent'. (Full article...)
O retrato de Arnolfini de Jan van Eyck, Galeria Nacional, Londres 1434. Entre outras mudanças, seu rosto estava mais alto na altura do olho, o dela era mais alto e seus olhos pareciam mais para a frente. Cada um de seus pés foi submetido a uma posição, pintado em outro e depois pintado em excesso em um terceiro. Essas alterações são vistas em refletogramas infravermelhos.
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Uma pintura de rampa, às vezes chamada de pintura para encontrar range, é uma grande pintura de paisagem produzida como um dispositivo de treinamento para ajudar os Gunners a melhorar sua precisão. Historicamente, o uso mais bem documentado de tais pinturas foi nos Estados Unidos durante a Primeira Guerra Mundial (artigo completo ...)
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A coloring book (British English: colouring-in book, colouring book, or colouring page) is a type of book containing line art to which people are intended to add color using crayons, colored pencils, marker pens, paint or other artistic media. Traditional coloring books and coloring pages are printed on paper or card. Some coloring books have perforated edges so their pages can be removed from the books and used as individual sheets. Others may include a story line and so are intended to be left intact. Today, many children's coloring books feature popular cartoon characters. They are often used as promotional materials for animated motion pictures. Coloring books may also incorporate other activities such as connect the dots, mazes and other puzzles. Some also incorporate the use of stickers. (Full article...)
Livro de colorir da criança preenchida, Garfield Goose (1953)
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Painterliness is a concept based on German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art.A painting is said to be painterly when there are visible brushstrokes in the final work – the result of applying paint in a manner that is not entirely controlled, generally without closely following carefully drawn lines. Any painting media – oils, acrylics, watercolors, gouache, etc. – can produce either linear or painterly work. Some artists whose work could be characterized as painterly are Pierre Bonnard, Francis Bacon, Vincent van Gogh, Rembrandt, Renoir, John Singer Sargent, and Andrew Wyeth (his early watercolors). The Impressionists, Fauvists and the Abstract Expressionists tended strongly to be painterly. (Full article...)
Henri Matisse, vaso de girassóis, 1898–99, Museu do Hermitage do Estado São Petersburgo, Rússia.
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Na pintura, acidentalismo é o efeito produzido por luzes acidentais. (Artigo completo ...)
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The depiction of night in paintings is common in art in Asia. Paintings that feature the night scene as the theme are mostly portraits and landscapes. Some artworks which involve religious or fantasy topics use the quality of dim night light to create mysterious atmospheres. They tend to illustrate the illuminating effect of the light reflection on the subjects under either moonlight or artificial light sources. (Full article...)
Hiroshige, a lua sobre uma cachoeira
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O Inscape, na arte visual, é um termo especialmente associado a certos trabalhos do artista chileno Roberto Matta, mas também é usado em outros sentidos nas artes visuais. Embora o termo inscape tenha sido aplicado a obras de arte estilisticamente diversas, geralmente transmite alguma noção de representar a psique do artista como uma espécie de paisagem interior. A palavra inscape pode, portanto, ser lida como uma espécie de Portmanteau, combinando interior (ou interior) com a paisagem. (Artigo completo ...)
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A indústria de pintura e SIP consiste em lições de pintura em grupo acompanhadas de vinho ou outras bebidas. Muitos estúdios de festa de vinho e pintura são baseados em franquias e o número de empresas nesse setor aumentou rapidamente desde 2007. (Artigo completo ...)
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An "overdoor" (or "Supraporte" as in German, or "sopraporte" as in Italian) is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, or was originally intended for this purpose.The overdoor is usually architectural in form, but may take the form of a cartouche in Rococo settings, or it may be little more than a moulded shelf for the placement of ceramic vases, busts or curiosities. An overmantel serves a similar function above a fireplace mantel. (Full article...)
Esculpido e incrustado barroco supraporte em Toruń, Polônia
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A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. (Full article...)
Pintura de teto, de Jean-André Rixens. Salle Des Ilustres, Le Capitole, Toulouse, França
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A ghost sign is an old hand-painted advertising sign that has been preserved on a building for an extended period of time. The sign may be kept for its nostalgic appeal, or simply indifference by the owner. (Full article...)
Sinal de fantasmas para uma loja de roupas extintas em Salem, Massachusetts
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The Boston School was a group of Boston-based painters active in the first three decades of the twentieth century. Often classified as American Impressionists, they had their own regional style, combining the painterliness of Impressionism with a more conservative approach to figure painting and a marked respect for the traditions of Western art history. Their preferred subject matter was genteel: portraits, picturesque landscapes, and young women posing in well-appointed interiors. Major influences included John Singer Sargent, Claude Monet, and Jan Vermeer. Key figures in the Boston School were Edmund C. Tarbell, Frank Weston Benson, and William McGregor Paxton, all of whom trained in Paris at the Académie Julian and later taught at the School of the Museum of Fine Arts. Their influence can still be seen in the work of some contemporary Boston-area artists. (Full article...)
"The Breakfast Sala", de Edmund C. Tarbell, CA. 1902
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Industrial paint robots have been used for decades in automotive paint applications.Early paint robots were hydraulic versions, which are still in use today but are of inferior quality and safety to the latest electronic offerings. The newest robots are accurate and deliver results with uniform film builds and exact thicknesses. (Full article...)
KJ 314
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The depiction of night in paintings is common in Western art. Paintings that feature a night scene as the theme may be religious or history paintings, genre scenes, portraits, landscapes, or other subject types. Some artworks involve religious or fantasy topics using the quality of dim night light to create mysterious atmospheres. The source of illumination in a night scene—whether it is the moon or an artificial light source—may be depicted directly, or it may be implied by the character and coloration of the light that reflects from the subjects depicted. (Full article...)
Archip Kuindshi, noite iluminada pela lua no Dnieper 1882.
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The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. Until the mid-19th century it was primarily concerned with representational and Classical modes of production, after which time more modern, abstract and conceptual forms gained favor.Initially serving imperial, private, civic, and religious patronage, Western painting later found audiences in the aristocracy and the middle class. From the Middle Ages through the Renaissance painters worked for the church and a wealthy aristocracy. Beginning with the Baroque era artists received private commissions from a more educated and prosperous middle class. The idea of "art for art's sake" began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, and J. M. W. Turner. During the 19th century commercial galleries became established and continued to provide patronage in the 20th century. (Full article...)
A garota de Johannes Vermeer com um brinco de pérolas (1665-1667), conhecido como Mona Lisa do Norte.
Técnicas de pintura selecionadas
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Figure painting, or miniature painting, is the hobby of painting miniature figures and/or model figures, either as a standalone activity or as a part of another activity that uses models, such as role-playing games, wargames, or military modeling.In addition to the painting of models, the creation of scenic basing for the model to be affixed to is also an important part of the hobby (although not all figure painters are concerned about the basing of their models). These can range from very simple applications of textured pastes, grit, and static grass for gaming bases, to larger scenic bases for display models, and even full dioramas depicting a scene of a single model or a group of models together in tableau to create a story in one moment. It can also include aspects of sculpting, for the purpose of creating additional details for models and bases, as a means of customizing the model to make them more unique, or to create entirely scratch built models for painting. Many figure painters also paint scale busts as part of the hobby, often in bigger scales than figures with a higher level of detail, and display bases and backdrops for them. (Full article...)
A assembléia e pintura de modelos é um aspecto importante do hobby da miniatura da guerra.
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The Gambier Parry process is a development of the classical technique of fresco for painting murals, named for Thomas Gambier Parry.True fresco is the technique of painting on fresh lime plaster whereby the pigments are fixed by the carbonatation of the lime (calcium hydroxide). The technique requires no other binding medium and the fixing process produces a durable crystalline paint layer. However, only a limited range of pigments are suitable for true frescoes and the technique requires careful application under controlled conditions, and relatively low humidity thereafter. In some environments, conventional fresco colours can rapidly accumulate dirt and grime. The decoration of the new Houses of Parliament in the mid-nineteenth century saw an embarrassing failure of true fresco in England but had generated a revival in mural painting. (Full article...)
Os próprios afrescos de Gambier Parry na Igreja de Highnam
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Al-Qatt Al-Asiri (also called nagash painting or majlis painting), is a style of Arabic art, typically painted by women in the entrance to a home. It originated in the 'Asir Region of Saudi Arabia where the front parlour of traditional Arab homes typically contained wall paintings in the form of a mural or fresco with geometric designs in bright colors. Called nagash in Arabic, the wall paintings are often considered a mark of pride. In 2017 Al-Qatt Al-Asiri was inscribed on UNESCO's list of Intangible Cultural Heritage of Humanity. (Full article...)
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Gongbi (simplified Chinese: 工笔; traditional Chinese: 工筆; pinyin: gōng bǐ; Wade–Giles: kung-pi) is a careful realist technique in Chinese painting, the opposite of the interpretive and freely expressive xieyi (寫意 'sketching thoughts') style.The name is from the Chinese gong jin meaning 'tidy' (meticulous brush craftsmanship). The gongbi technique uses highly detailed brushstrokes that delimits details very precisely and without independent or expressive variation. It is often highly colored and usually depicts figural or narrative subjects. (Full article...)
Frotas de faisão e algodão dourados com borboletas (século 11) pelo imperador Huizong da música
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Trompe-l'œil (/trɒmp ˈlɔɪ/ tromp LOY, French: [tʁɔ̃p lœj]; French for 'deceive the eye') is an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions. Forced perspective is a comparable illusion in architecture. (Full article...)
Teto da sala do tesouro do Museu Arqueológico de Ferrara (Ferrara, Itália), pintado em 1503-1506
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Trabalhar em camadas é um sistema para criar pinturas artísticas que envolvem o uso de mais de uma camada de tinta. (Artigo completo ...)
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Fresco (plural frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently Buon fresco technology, the use of supplementary organic materials was widespread, if underrecognized. (Full article...)
A criação de Adam, um detalhe do teto da Capela Sistina Fresco por Michelangelo
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Cobweb painting, sometimes known as gossamer painting, is the delicate process of painting on canvases made from caterpillar and spider webs that have been collected, layered, cleaned, and framed. Fewer than 100 cobweb paintings are known to exist, many of which are housed in private collections. (Full article...)
Pintura de 'teia de aranha' na Catedral de Chester.
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Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a pottery body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of unglazed biscuit earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted.Most pottery produced in recent centuries has been glazed, other than pieces in unglazed biscuit porcelain, terracotta, or some other types. Tiles are almost always glazed on the surface face, and modern architectural terracotta is very often glazed. Glazed brick is also common. Domestic sanitary ware is invariably glazed, as are many ceramics used in industry, for example ceramic insulators for overhead power lines. (Full article...)
Corpo composto, pintado e garrafa envidraçada. Irã, século XVI (Museu Metropolitano de Arte)
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A pintura industrial é definida pelo "Manifesto da pintura industrial de 1959: para uma arte aplicada unitária", um texto de Giuseppe Pinot-Gallizio, publicado originalmente em Notizie Arti Figurative No. 9 (1959). Uma tradução francesa foi logo publicada na Internationale SituationNiste No.3 (1959). Em maio de 1997, Molly Klein traduziu a versão original em língua italiana para o inglês: (artigo completo ...)
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Spray em excesso refere-se à aplicação de qualquer forma de tinta, verniz, mancha ou outro material particulado aéreo não solúvel em uma água em um local não intencional. Esse conceito é mais comumente encontrado no grafite, detalhamento automático e quando os trabalhos de pintura comerciais se transformam em objetos não intencionais. (Artigo completo ...)
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O Buon Fresco (italiano para 'True Fresh') é uma técnica de pintura de afresco na qual pigmentos alcalinos resistentes ao solo, moídos na água, são aplicados ao gesso molhado. em que as tintas são aplicadas ao gesso seco. (Artigo completo ...)
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Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Another term used to refer to the art of cold painting and gilding on the back of glass is verre églomisé, named after the French decorator Jean-Baptiste Glomy (1711–86), who framed prints using glass that had been reverse-painted. In German it is known as Hinterglasmalerei.This art form has been around for many years. It was widely used for sacral paintings since the Middle Ages. The most famous was the art of icons in the Byzantine Empire. Later the painting on glass spread to Italy, where in Venice it influenced its Renaissance art. Since the middle of the 18th century, painting on glass became favored by the Church and the nobility throughout Central Europe. A number of clock faces were created using this technique in the early-to-mid-19th century. Throughout the 19th century painting on glass was widely popular as folk art in Austria, Bavaria, Moravia, Bohemia and Slovakia. Unfortunately, during the inter-war period (1914–1945) this traditional "naive" technique fell nearly to a complete oblivion and its methods of paint composition and structural layout had to be re-invented by combining acrylic and oil paints. A new method of reverse painting emerged using polymer glazing methods that permitted the artworks to be painted direct to an acrylic UV coating on the glass. The unique under glass effect retains a curious depth even though the layered painting on the glass was bonded to a final linen support and now stretcher bar mounted after being carefully removed from the original 'glass easel'. Current glass painting may disappear with the advent of using aerospace mylar as a preliminary support. (Full article...)
Capitão Joseph - pintura de vidro reverso chinês de c. 1785 - 1789.
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A Speed Painting é uma técnica artística em que o artista tem um tempo limitado para terminar o trabalho. O tempo pode variar, geralmente uma duração é definida de alguns minutos a algumas horas. Ao contrário dos esboços, as pinturas de velocidade podem ser consideradas "acabadas" após o limite de tempo. Os artistas de mídia digital usam principalmente a pintura de velocidade para praticar o trabalho de maneira rápida e eficiente. As técnicas de pintura de velocidade também são frequentemente usadas na arte conceitual, particularmente nos estágios iniciais de uma produção quando o polimento de uma imagem individual é importante menos que uma clara apresentação básica de muitos conceitos de candidatos para consideração. (Artigo completo ...)
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A gordura sobre enxuta refere -se ao princípio da pintura a óleo da aplicação de tinta com uma proporção mais alta de óleo / pigmento ('gordura') sobre tinta com uma proporção mais baixa de óleo / pigmento ('magro') para garantir um filme de pintura estável, uma vez que se acredita que a tinta com o maior teor de óleo permanece mais flexível. [Link morto] A tinta a óleo seca em taxas diferentes devido às diferentes propriedades de secagem do pigmento constituinte. No entanto, tudo o mais sendo igual, quanto maior a taxa de óleo / pigmento, mais tempo o fichário de óleo levará para oxidar e mais flexível será o filme de pintura. Por outro lado, quanto menor o teor de óleo, mais rápido a tinta seca e mais quebradiço será. Ignorar essa prática, mesmo em alguma pintura de Alla Prima, pode resultar em um filme de pintura rachado e menos durável. [Dead Link] (artigo completo ...)
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Na arte, uma sub -pintura é uma camada inicial de tinta aplicada a um solo, que serve como base para camadas subsequentes de tinta. As submarinos são frequentemente monocromáticas e ajudam a definir valores de cores para pintura posterior. Existem vários tipos diferentes de insignificante, como Veneda, Verdaccio, Morellone e Grisaille. O que a pintura recebe seu nome, porque é a pintura que se destina a ser pintada (veja a pintura em excesso) em um sistema de trabalho em camadas. Existe um equívoco popular de que a sustentação deve ser monocromática, talvez em escalas cinzentas. Pensa-se que uma base multicolorida é mais útil por artistas como Giotto (cuja técnica é descrita em detalhes por Cennino Cennini), bem como por Jan Van Eyck e Rogier van der Weyden (cuja técnica foi estudada com a moderna análise científica ). Essa técnica foi pioneira por Ticiano no Alto Renascimento. As cores do subordinamento podem ser misturadas opticamente com a subsequente pintura em excesso, sem o perigo de as cores se misturarem fisicamente e se tornarem enlameadas. Se a insuficiência for feita corretamente, facilita a pintura excessiva. Se parece que é preciso lutar para obscurecer a sub -pintura, é um sinal de que não foi feito corretamente. (Artigo completo ...)
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Tempera (Italian: [ˈtɛmpera]), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. (Full article...)
Crevaw Madonna por Duccio, Tempera com Gold Ground on Wood, 1284, Siena
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Verdaccio é um nome italiano para a mistura de pigmentos pretos, brancos e amarelos, resultando em um marrom esverdeado acinzentado ou amarelado (dependendo da proporção). Verdaccio tornou -se parte integrante da pintura de afresco, na qual essa cor é usada para definir valores tonais, formando uma base monocromática completa. Muitas vezes, os detalhes arquitetônicos em afrescos são deixados no Verdaccio sem camadas de cores adicionais; Um exemplo notável é o teto da capela sistina, onde a sub -pintura verdaccio pode ser vista claramente, deixada como em todos os detalhes arquitetônicos da composição. (Artigo completo ...)
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Pastiglia [paˈstiʎʎa], an Italian term meaning "pastework", is low relief decoration, normally modelled in gesso or white lead, applied to build up a surface that may then be gilded or painted, or left plain. The technique was used in a variety of ways in Italy during the Renaissance. The term is mostly found in English applied to gilded work on picture frames or small pieces of furniture such as wooden caskets and cassoni, and also on areas of panel paintings, but there is some divergence as to the meaning of the term between these specialisms.On frames and furniture the technique is in origin a cheaper imitation of woodcarving, metalwork or ivory carving techniques. Within paintings, the technique gives areas with a three-dimensional effect, usually those representing inanimate objects, such as foliage decoration on architectural surrounds, halos and details of dress, rather than parts of figures. In white lead pastiglia on caskets, the subject matter is usually classical, with a special emphasis on stories from Ancient Roman history. (Full article...)
White liderou Pastiglia em um caixão italiano, no final do século XV, com Marcus Curtius à esquerda, Museu Britânico.
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Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware. The origin of the term maki-e is a compound word of maki meaning "sprinkling" and e meaning "picture" or "design". The term can also be used to refer to lacquerware made with this decorative technique. The term maki-e first appeared in the Heian period.This technique is the most used technique in Japanese lacquer decoration. The maki-e is often combined with other techniques such as raden (螺鈿) in which a nacreous layer of shellfish is embedded or pasted in lacquer, zōgan (象嵌) in which metal or ivory is embedded in lacquer, and chinkin (沈金) in which gold leaf or gold powder is embedded in a hollow where lacquer has been shaved. (Full article...)
Maki-e
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Verdaille is a painting executed entirely or primarily in shades of green. Such a painting is described as having been painted "en verdaille". Verdaille has its roots in 12th century stained glass made for Cistercian monasteries, which prohibited the use of colored art in 1134. Such paintings are less common than paintings executed in grey (grisaille) or in brown (brunaille). (Full article...)
Uma procissão de Chinoiserie de figuras andando em elefantes com templos além, petróleo na tela Verdaille por Jean-Baptiste Pillent
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Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors. (Full article...)
1883 Reconstrução do esquema de cores do entablamento em um templo dórico.
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Wet-on-wet, or alla prima (Italian, meaning at first attempt), direct painting or au premier coup, is a painting technique in which layers of wet paint are applied to previously administered layers of wet paint. Used mostly in oil painting, the technique requires a fast way of working, because the work has to be finished before the first layers have dried. (Full article...)
Frans Hals, Jasper Schade van Westrum (1645); Pintado principalmente úmido em água. A testa tem porções de molhado (branco) sobre seco (marrom/preto).
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Powder painting is the art of using ground glass in powdered form to create kilnformed glass art. The process differs from enameling in many respects. Firstly, the powder is actually ground glass typically from a single manufacturer who supplies an extensive color palette. Large jars can be purchased which are fairly inexpensive compared to enamels, making large scale paintings possibleThis technique is one variation of many ways to create images on glass using glass bits (frits), and in this case powder. (Full article...)
18 "x34" pintura em pó de Jim Boles, homenagem a Wolf Kahn.
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A panel painting is a painting made on a flat panel made of wood, either a single piece, or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, it was the normal form of support for a painting not on a wall (fresco) or on vellum (used for miniatures in illuminated manuscripts) and for mounting vellum paintings. (Full article...)
O retábulo de Ghent de Jan van Eyck e seus irmãos, 1432. Um grande retábulo no painel. As asas externas são articuladas e pintadas de ambos os lados.
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Imagens gerais
A seguir, são apresentadas imagens de vários artigos relacionados à pintura sobre a Wikipedia.
Imagem 1young Mother Costing, Mary Cassatt (da história da pintura)
Imagem 2Brice Marden, 1966/1986, Pintura monocromática (da história da pintura)
Imagem 3Grant Wood, 1930, Realismo social (da história da pintura)
Imagem 4diego Rivera, Recreação do homem na encruzilhada (renomeado homem, controlador do universo), criado originalmente em 1934, movimento do muralismo mexicano (da história da pintura)
Imagem 5land, Pintura Rock, Drakensberg, África do Sul (da História da Pintura)
Imagem 6a Chinês Jar Painteado da Era Western Han (202 aC - 9 dC) (da história da pintura)
Imagem 7Max Ernst, 1920, Surrealismo precoce (da história da pintura)
Imagem 8Female Painter sentado em um acampamento e pintando uma estátua de Dionísio ou Priapus em um painel que é mantido por um menino. Fresco de Pompéia, século I.
Imagem 9yun bing, álbum Leaf (século XVII), tinta e cor no papel (da pintura)
Imagem 10O Sakyamuni Buda, de Zhang Shengwen, 1173-1176 dC, período da dinastia Song. (da história da pintura)
Imagem 11krishna e Radha, podem ser o trabalho de Nihâl Chand, Mestre da Escola de Pintura de Rajput Kishangarh (da pintura)
Imagem 12 Maurice Quentin de la Tour, Retrato de Luís XV da França (1748), pastel (da pintura)
Imagem 13qianlong Imperador praticando caligrafia, meados do século XVIII. (da história da pintura)
Imagem 14Rembrandt Van Rijn, The Jewish Bride, CA. 1665–1669 (da história da pintura)
Imagem 15muromachi Período, Shingei (1431-1485), vendo uma cachoeira, Museu Nezu, Tóquio. (da história da pintura)
Imagem 16 Lubang Jeriji Saléh Cave, em Kalimantan, Indonésia, contém uma das pinturas figurativas mais antigas conhecidas, uma representação de um touro de 40.000 anos. (da história da pintura)
Imagem 17nino Pisano, Apelles ou a arte da pintura em detalhes (1334-1336); alívio da torre sineira do giotto em Florença, Itália
Imagem 18Francisco de Zurbarán, Still Life with Pottery Ganks (Espanhol: Bodegón de Recepultores) (1636), óleo sobre tela, 46 x 84 cm, Museo del Prado, Madri (da pintura)
Imagem 19tetkere Cave tem mais de 44.000 anos, Maros, South Sulawesi, Indonésia (da história da pintura)
Imagem 20claude Monet 1872 Impressão, Sunrise inspirou o nome do movimento (da pintura)
Imagem 21wayang beber, século XVII (da história da pintura)
Imagem 22Piet Mondrian, "Composição No. 10" 1939-1942, de Stijl (da História da Pintura)
Imagem 23An Etiópia iluminada Evangelista Retrato de Mark the Evangelist, dos Etíopes Garima Evangelhos, século VI dC, Reino de Aksum (da História da Pintura)
Imagem 24an A representação artística de um grupo de rinocerontes foi feita na caverna de Chauvet de 30.000 a 32.000 anos atrás. (da pintura)
Imagem 25MoTher deusa Uma pintura em miniatura do estilo Pahari, datada do século XVIII. As miniaturas de Pahari e Rajput compartilham muitos recursos comuns. (da história da pintura)
Imagem 26Piet Mondrian, composição en Rouge, Jaune, Bleu et Noir (1921), Gemeentemuseum den haag (da pintura)
Imagem 27Max Beckmann, The Night (Die Nacht), 1918–1919, Kunstsammlung Nordrhein-Westfalen, Düsseldorf (da história da pintura)
Imagem 28The Milkmaid de Johannes Vermeer, c. 1657 (da história da pintura)
Imagem 29Sesshū Tōyō, paisagens das quatro estações (1486), tinta e cor clara no papel (da pintura)
Imagem 30liang kai, bêbado Celestial (século XII), tinta em papel Xuan (da pintura)
Imagem 31A pintura figurativa mais antiga conhecida é uma representação de um touro que foi descoberto na caverna de Lubang Jeriji Saléh, na Indonésia. Foi pintado de 40.000 - 52.000 anos atrás ou antes. (da pintura)
Imagem 32 White Angel (Fresco), Mosteiro Mileševa, Sérvia (da pintura)
Imagem 33georges Seurat, Circus Sideshow (francês: Parade de Cirque) (1887-88)
Imagem 34Pierre Bonnard, 1913, Pintura narrativa modernista européia (da história da pintura)
Imagem 35Baptismo de Cristo em uma pintura nubiana medieval de Old Dongola (da história da pintura)
Imagem 36lascaux, touros e cavalos (da história da pintura)
Imagem 3